Today, most businesses seek to cut costs and speed up development by turning to No‑Code and Low‑Code („NC/LC”) platforms. Schoenherr Attorneys at Law recently published a detailed analysis of this trend, „EU: No‑Code/Low‑Code platforms: future tech, present copyright challenges”, examining how these tools challenge traditional
The explosive rise of technology and AI has completely transformed the creative landscape, leaving behind a trail of innovation and fresh possibilities. Specifically, generative AI, a branch of AI that focuses on creating original and novel content, has gained significant traction in the Indian context.
A compact summary of our team’s findings on end-user flexibilities and platform regulaton – carried out in work package (WP) 2 of the reCreating Europe project – has been recently published on Kluwer Copyright Blog.
Upon the kind invitation of Delia Ferri (Maynooth University), I wrote a short post on platforms and the DSA/copyright overlaps. The post came in light of the recent European Copyright Society Opinion on this matter.
Shortly after our first co-authored post on the copyright-related aspects of artificial intelligence and robot-journalism in India was published on this blog, we became aware of incredible news: the Indian Copyright Office has recognised the RAGHAV Artificial Intelligence Painting App and its legal owner as
Anushka Tanwar and Péter Mezei teamed up to summarize the key developments on the field of robot-journalism in India.