I am thrilled that the Journal of Intellectual Property Law & Practice accepted my short manuscript on the analysis of a recent Hungarian court ruling regarding the (not implemented) parody exception. The abbreviated version of the analysis is published on JIPLP’s blog today.
Following what can only be described as a long and tortuous process, the EU legislative bodies adopted the Copyright in the Digital Single Market (CDSM) Directive in June 2019 (for an overview, see here). Article 17 (former Article 13) on the new liability regime of
ARIPO Model Law (2019) and Nigerian Draft Copyright Bill (2015): 8 comparative points from the emerging copyright landscape in Africa – Part II
This blog piece is a continuation of the previous post on the ARIPO Model Law on Copyright and the Draft Nigerian Copyright Bill (please see last week post here). The present post will address the five remaining topics as itemized below.
ARIPO Model Law (2019) and Nigerian Draft Copyright Bill (2015): 8 comparative points from the emerging copyright landscape in Africa – Part I
This blog post will review the ARIPO Model Law on Copyright and Related Rights against the standards proposed in the Draft Nigerian Copyright Bill. Though Nigeria is currently not a member state of ARIPO, its observer status in the organization makes this comparison a worthwhile
Me and my colleague, István Harkai, have the privilege to participate in the ambitious H2020 “reCreating Europe” project. The project will last for 3 years (2020-2022), and it aims to focus on the pre- and post-CDSM landscape of (digital) copyright law of the European Union.
Simultaneously with other book review from the end of 2019, I completed another piece on Hannibal Travis’ Copyright Class Struggle – Creative Economies in a Social Media Age. This was a highly interesting book – and it is available on the website of the JIPLP.