The July issue of JIPLP includes two short pieces of mine: one on the Hungarian parody ruling, and another book review on Fei-Hsien Wang’s brilliant book on the copyright history of publishing houses in China.
The first copyright act of the People’s Republic of China was acceptd 30 years ago (September 7, 1990). Quite a lot has changed since the adoption of that law, and following two less detailed amendments (one in 2001 and another in 2010), China now faces
My latest book review on Tianxiang He’s “Copyright and Fan Productivity in China – A Cross-Jurisdictional Perspective” came out recently in the August issue of Journal of Intellectual Property Law and Practice.
The United States Trade Representative (USTR) conducts ‘Special 301 Report’ annually to assess and evaluate the level of intellectual property (IP) protection and enforcement among US trading partners worldwide. The Special 301 Report is legally regulated through the Section 182 of the Trade Act 1974,
Can a Serbian photographer sue a Chinese singer for the use of the photographer’s picture on the singer’s latest album? Rong Tianqi introduces the facts of the issue and expresses some doubts on the claim’s success.